What comes to mind when you hear the name Henry VIII?

When author Margaret George asked people this question, here’s a summary of the answer she got: “Henry VIII was a huge, fat, oversexed man with gross table manners who had eight wives, killed them all, and then died of syphilis.” She found out during the course of extensive research that not one of these things about Henry was true, or at least, not entirely true.

So she wrote a 900-page novel about him, making the daring decision to tell his story in first person: The Autobiography of Henry VIII. It’s fiction, but it’s based on solid research, and it provides a fascinating look at the entire character of this complex and important historical figure.

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Is there a name for a genre of books where a secondary character in a beloved classic takes the starring role in their own story? If there is, sign me up to read them—when they’re as well-written and engaging as the four below.

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What is it about adolescence—that time between childhood and adulthood—that is so endlessly fascinating to us? Why is it that the music of those years stays with us as “the best” music of all time? Why do we remember, with sharp poignancy, the dreams, passions, and preoccupations of our teen years, decades after we experienced them?

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I had high hopes that my first “what I’m reading” post would be something really special … an impressive title that showed my discerning taste in reading material (I’m joking—I’m a fairly nondiscriminatory reader and always have been). But instead, my entire household got hit with our first case of COVID and my reading for the past two weeks was whatever I could manage while dealing with frequent fatigue and occasional brain fog.

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